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 “There is so much divine power and beauty in the substance of music,” —Arvo Pärt
Beginning in the 1970s, composers influenced by so-called minimalist music began fusing the repetition and tonal progressions associated with this movement with religious plainchant and motives of liturgical music.
One of the best-known works to synthesize these elements, Henryk Górecki’s “Symphony of Sorrowful Songs” is among the few classical works to ever rank on the Billboard charts. A setting of three Polish laments—a 15th-century text of the Virgin Mary lamenting the crucifixion of Jesus, a bit of graffiti scrawled on a Gestapo prison, and a mother mourning the loss of her son during an early 20th-century Polish uprising—the symphony has been used to powerful effect in Terrence Malick’s Tree of Life, Peter Weir’s Fearless, Julian Schnabel’s Basquiat, and many others.
Arvo Pärt, “whose music demands love and dedication from its interpreters yet almost nothing of its listeners, offering a timeless sound redolent of both the Renaissance and modern Minimalism,” (The New York Times), composes a metaphorical rebirth his Second Symphony. Incorporating children’s toys in the instrumentation and Tchaikovsky’s lullaby “Sweet Dreams,” the symphony harks a new period for the composer.
The evening begins with Vestijums (The Message) by Peteris Vasks, a composer who infuses into his work the belief that “Music is the greatest of all muses, as it reaches the divine with the most ease.” Vacillating between ominous foreboding and euphoric exaltation, it “can only be described as the symphonic equivalent to a head rush” (NPR).
Presenter / Producer: LA Philharmonic
Listed Categories
Music > Contemporary Classical / New Music
Event Phone: 323-850-2000
Venue
Walt Disney Concert Hall
111 S Grand Ave
Los Angeles CA 90012
Regions:
LA - Central / Downtown
Performance Dates: 2/26/2027 - 2/27/2027
Friday, 02/26/2027
Saturday, 02/27/2027
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